Prison Break

la mejor serie.
y hay una pagina qe se llama series yonkis, buscala bien en el google, ahi estan todas las series y se ven re bien.

TERRIBLE.
UNA DE LAS MEJORES SERIES.
EL FINAL, TE DEJA SIN PALABRAS.

La serie deberia haber durado solamente las dos primeras temporadas, brillantes. Las últimas dos son un desastre, totalmente atada con alambre, argumentos inverosimiles, cae siempre en lo mismo, se enreda sola, reviven personajes de un capitulo para el otro sin mayores explicaciones y con un final acorde a lo mala que es la última temporada. la termine de ver solamente porque las dos primeras temporadas lo ameritan, pero aconsejo verla hasta la 3era e imaginarse que todo termina ahi.

Excelente serie, buen final. Voy a extrañar verla…

Se recomienda mucho.

No podés decir que la 3ra. y 4ta. temporada son un desastre, porque no lo son.

Buenisimo el final, la cague cuando entre al foro de pb para bajar los capitulos y lei lo que iva a pasar

:bann::bann::bann::bann::bann::bann::bann::bann::bann::bann::bann::bann::bann:

uhh jajajaaj sry loco!!

No, pero es verdad, digamos que la 3º no es tan mala, pero no se compara con la 1º.
La 4º para mí está mejor que la 3º, hasta que se empizan a enrredar cuando hallan “lo que estaban buscando”. No lo digo porque seguro hay gente que no la vió. Pero ahí si coincido, muy enquilombizado con el tema de los personajes. A los santos pedos termnó todo.

A ver si digo el final como Snalkurs…:evil:

Malismo el final…

Yo lo hubiera metido mas a Kellerman en la ultima temporada ya que aparece

Justamente, todo muy tirado de los pelos el final

‘Prison Break’ boss defends tragic twist: ‘It IS a happy ending’ | Prison Break | Ausiello Files | EW.com

‘Prison Break’ boss defends tragic twist: ‘It IS a happy ending’

[b]WARNING: Stop reading if you have not watched the series finale of Prison Break. I mean it. Everyone else, onward and downward…

ADVERTENCIA: NO SIGAN LEYENDO SI NO VIERON EL FINAL…[/b]

I know. Since Prison Break concluded its four-year run tonight by sending its chiseled protagonist to the big slammer in the sky, you’re grieving. You want answers. You want justice. You want someone to pay.

Would you settle for answers?

'Cause that’s all I’ve got. But at least there are a lot of 'em, straight from executive producer Matt Olmstead. Read 'em and… oh, I see. You’re already weeping. Well, read 'em, anyway. Maybe it’ll help.

Why’d you have to kill him?!
MATT OLMSTEAD: It started as a discussion with Wentwoth [Miller] around Season 2. He brought up a good point: His character’s hands are as dirty as anyone’s. If you look at the initial act that he committed – robbing a bank to get into prison to break his brother out – there were ramifications to that; a lot of people got hurt. Not by them, but when they rattled the cage of the company that was after them, the body count started to pile out. And Michael was aware of this. And we’ve addressed his guilt throughout the show. But at a certain point, it felt nobler to have the character die so that others could live. It just felt a little weird for us to have Michael and Sara holding hands on the beach walking away – though that would be gratifying in the moment. Knowing that there was pretty much a scorched path behind them in terms of what happened, [having him die] balanced the books for us. He also paid the ultimate sacrifice and, in doing so, everyone else close to him was able to live, including his child.

Michael-Sara fans will argue that they deserved a happy ending after watching these two go to hell and back for four seasons. What would you say to them?
OLMSTEAD: For me, it is a happy ending. Look at the very first episode of the season when Michael realizes Sara’s alive. They have a chance to run away, and they both elect not to because, as two people of conscience, they can’t live with what they both now have experienced. And at the end of the finale, when they’re on the beach and talking about the baby that’s coming, that’s a huge victory in that they both stood their ground and, with the help of other people, brought down the ultimate antagonist. So they have their moment.

Can we assume that we’ll learn more about the ultimate sacrifice Michael made in the two-hour direct-to-DVD prequel movie [due July 28]?
OLMSTEAD: Yes, it dramatizes what happened to Michael. The nose bleed that reared its ugly head at the end of [tonight’s finale] was a factor in his ultimate demise in that he knew that he probably didn’t have that long to live, but it wasn’t the sole factor. It informed certain decisions that lead to his demise.

The two-hour movie picks up right after the finale, right?
OLMSTEAD: Yeah, it takes place fairly soon after they’re exonerated.

What’s the premise?
OLMSTEAD: Sara is on the hook for [killing] Michael’s mother and she gets locked up while pregnant. The tables are turned. once a doctor in prison now imprisoned, and Michael’s on the outside. The majority of the cast is back. It’s Michael, Lincoln, Sara, Sucre, T-Bag, Mahone… all the heavy-hitters.

Seeing Paul Adelstein back as Kellerman was a nice surprise. How’d that come about?
OLMSTEAD: We reached out to Paul and pitched him the idea of what his character would be doing, and he liked it very much. And then I told him that we would be jumping ahead four years to show where all the characters are, and I asked him where he would want [Kellerman] to be; he was included in the [creative process]. We traded a lot of e-mails and the ideas ran the gamut. We ultimately arrived at what it was, which is he rose to a position of power, but that the widow of his [former] partner that he killed revisits him. In the scene I wrote, she spits on his shoes. [On the day of shooting], I got a call from the director, Kevin Hooks, and he said, “Paul’s here, and he [thinks] she would spit in his face.” And I said, “Have at it.” So she spit in his face. And then he’s in the limo afterward and you can see that private moment where [he realizes] he can never outrun his past. That’s one of my favorite sequences in the flash-forward. He played the self-loathing and regret beautifully.

Did you encounter any problems getting ABC to loan him to you since he’s now on Private Practice?
OLMSTEAD: Everybody was very accommodating, and I think it all stems from a universal goodwill towards Paul as a person. He’s a really good guy and people wanted to do him a favor. And we were able to get all his scenes done in one day.

Was there anyone you wanted to get back for the finale and couldn’t?
OLMSTEAD: The only person we couldn’t get was Marshall Allman, who played Lincoln’s son. We would have loved to have gotten him.

Looking back on the four seasons, anything you would have done differently?
OLMSTEAD: I don’t have a whole lot of regrets. [Another journalist] wrote that we left it all out on the field by the end of the series, and I feel the same way. Every story was exhausted. Every creative juice wrung out. It was a completely worthwhile experience, and I know the other writers [agree]. It was a difficult show to pull off, and we did it.

Revivo.

Pense q habia terminado en el cap 22 y me habia desilusionado un poco.
EL 23 es excelente, el final q se merecia la serie, con mucho suspenso.

Excelente serie la verdad, la voy a extrañar…

yo la termine de ver hace unos dias… muy buena, aunque me parecio un abuso de muertes… nunca vi tanta gente muerta en una serie, si alguien hace la cuenta se va a asombrar, todos los capitulos mueren 4 o 5… el final me gusto, todo final que no sea feliz me parece interesante… altamente recomendable… aunque me quedo con lost

Me bajé el capítulo 23-24…lo ví. Me gustó. Aclaró un par de cosas sobre Michael. Interesante, pero como que seguía dando vueltas.

Que feo cuando a una serie la tienen que terminar apurada.

Ya salio el especial… ya lo pueden bajar de prison break tv.

Yo lo baje con .torrent! :stuck_out_tongue:

Ya tenes los subtitulos?

de acá pueden bajar todos los capitulos de las 4 temporadas…:smiley:

Solo Descargas Directas: Prison Break

excelente pagina… aparte de tener muchiiisimas peliculas y demas series completas.

Perdón por revivir, pero no encontré otro TH

El martes 4 de abril a las 10:00pm. FOX estrena en América Latina lo nuevo de “Prison Break” que regresa con su elenco original liderado por Wentworth Miller y Dominic Purcell

En abril llega a FOX, la misma noche que su emisión en Estados Unidos,

el regreso más esperado: “PRISON BREAK”

El martes 4 de abril a las 10:00pm (23:00hs Argentina). FOX estrena la misma noche que en Estados Unidos y en idioma original lo nuevo de “Prison Break”. En este regreso explosivo los protagonistas originales de la serie Wentworth Miller, Dominic Purcell, Sarah Wayne Callies, Amaury Nolasco, Robert Knepper, Rockmond Dunbar y Paul Adelstein se reencuentran en una aventura completamente nueva que se extiende alrededor del mundo para desplegar la excitación y expectativa que caracterizan a esta producción desde su estreno en 2005 hasta 2009. Este drama de acción sigue la odisea de Michael Scofield (Miller, The Loft), un joven decidido a salvar a su hermano convicto y condenado a muerte, Lincoln Burrows (Purcell,Legend of Tomorrow).

“Prison Break” fue un éxito inmediato para la crítica y los ratings cuando estrenó en FOX en 2005, obteniendo nominaciones a los Golden Globe® Award como Mejor Serie Dramática de Televisión y Mejor Actor en Serie Dramática de Televisión (Miller). El equipo original de producción, incluyendo al creador de la serie Paul T. Scheuring, Neal Moritz, Marty Adelstein y Dawn Olmstead, tiene a cargo nuevamente la producción ejecutiva de la nueva serie con Scheuring como productor y escritor